Grizzly Squirrel Productions | @grizzlysquirrelprod

Grizzly Squirrel Productions is a Bristol based production company specialising in stop motion animation for short film and commercials. Founded by BAFTA-nominated creative director Zoë Hutber and producer Angie Piera, Grizzly Squirrel brings stories to life through hand crafted visuals and real life objects and products. We love coming up with new ideas and working with new materials, and have animated everything from paper to gingerbread! We’re also passionate about sustainability and do everything we can to minimise the impact of our productions, making us perfect for environmentally conscious content.

Pins and Needles Productions | www.pinsandneedlesproductions.co.uk

Pins and Needles Productions is a female-led theatre company based in Bristol, with over a decade’s experience in making award-winning work for audiences across the UK and internationally.  We are passionate about finding innovative ways to tell stories in theatre, film, events and with digital technology.

Over 12 years, we have created 22 productions and taken our work from Norwich to New York, Manchester to Malaysia, Harrogate to Hong Kong.

Our work is ever-changing and can live in a range of different spaces.  We’ve created interactive adventures online, pop-up installations, outdoor work for festivals, immersive events, West End shows, and workshops for schools. 

Scarlet Oak Theatre | www.scarletoaktheatre.com

Scarlet Oak Theatre is a Bristol based theatre company that creates conversation sparking theatre for young people and their grownups. 

We take inspiration from the natural world and draw on our years of working in a variety of educational settings. Influenced from a background in clowning, physical theatre and puppetry, we create theatre that is playful, visually exciting and full of of surprises. You can find us performing in theatres, schools, village halls, libraries and museums. Though we are a small company, we are so excited that with each new production we are able to expand and work with more artists in and around Bristol to bring our productions to life.

Riddlestick Theatre  | https://riddlestick.com/

Playing with past and present, fiddling with fact and fiction, and toying with traditional forms of tale-telling, Riddlestick Theatre are a travelling troupe of actor-musicians who aim to make audiences laugh, think, and tap their toes with their inventive and rambunctious shows. 

Flibbertigibbet Theatre | flibbertigibbettheatre.co.uk/

Flibbertigibbet is a small Bristol based company that creates new visual and physical theatre to delight, entertain and provoke. The work is developed through playful cross-art collaboration, to reach new audiences of all ages in a variety of creative encounters. For further information about any of our work, please contact Artistic Director, Stevie Thompson (she/her) –  info@flibbertigibbettheatre.co.uk. Our current projects include:

The Farmer and The Clown, a beautiful wordless show for all ages, featuring dance, physical comedy and live music, which will be touring nationally in 2025.

Babble – A Play with Sound for 3-5-year-olds, is a unique theatrical collaboration with sound artists, where the audience help create a unique piece of music that celebrates their voices.

Story Thread uses weaving as a basis for creative exploration of storytelling and authentic artistic co-creation with older members of a local community. In collaboration with Alive Activities, we are currently visiting a number of care homes across Bristol.

Brave Bold Drama | bravebolddrama.co.uk

Brave Bold Drama is led by two freelance artists, Gill Simons (she/her) and Paul Lawless (he/him), who are working class and LGBTQI+. We make award-winning theatre for families and for those living with dementia, and run a broad portfolio of community art projects made with and for working class communities.

Our family theatre is non-didactic and never patronises. We are not simplistic, saccharine or superficial. We believe children deserve the richness of their humanity to be reflected in their art. When devising new shows, we draw on playful audience participation, original music and song, quirky humour and bold characterisation to create multi-faceted, layered worlds that appeal just as much to the adults as to the children. 

Our community art projects emerge organically and in response to demonstrable community need. We work with all ages within working class communities. Our portfolio includes early years play sessions in libraries, sensory story kits for carers and residents in care-homes, sound walks creatively written by community members and arts award courses within schools. 

Roustabout Theatre | roustabouttheatre.co.uk

Roustabout Theatre is an award-winning team of theatre makers based in Bristol, born out of over ten years of collaboration and nonsense.

They seek out extraordinary tales, both true and imagined, and tell them with clarity, simplicity, humour and a wild imagination. Performed in theatres, schools, libraries & community venues, their work is for audiences of all ages, for anyone who loves play, and for anyone who delights in the communal act of sharing a story. 

Helena Berry | www.helenaberryjuggler.com/

Helena (she/her) is a circus artist specialising in object manipulation, using props to tell stories. Each object holds significance in her performances, and she loves exploring the dynamic relationships between different objects and herself. 

In addition, Helena focus’ on technical skills, particularly with juggling balls, and enjoys experimenting with unique variations of juggling with her feet. This exploration adds a distinctive element to her work, allowing her to push the boundaries of traditional juggling and express new forms of control, rhythm, and balance.

Tilly Lee-Kronick  | instagram.com/tillylk

Growing up in London, Tilly grew up singing, dancing and performing, discovering circus at 18. She completed her degree at Circomedia, in static trapeze and physical theatre. Tilly creates multi disciplinary work, challenging perceptions of circus and theatre, to create unique and exciting aerial work. She was resident circus artist at The Roundhouse 2018-2019 and Associate artist at Deda 2019-2020. Her acclaimed solo show ‘Ripe’, directed by Mish Weaver, has toured nationally, and was selected as one of the top three pieces of Resolution festival 2018. Working credits include: Extraordinary Bodies, Stumble Dance Circus, Cirque Bijou, Full Tilt Aerial Dance, Stacked Wonky Dance Theatre, Metta Theatre and Rosemary Lee.

Isabel Lyster – Paper Jungle | www.paperjungle.org

Isabel is a puppetry specialist, designer, and model maker. With a background in performance and live events, she brings stories to life and engages audiences through animation. Her Bristol-based company Paper Jungle creates bespoke puppets, toys, and installations. As a maker, she prioritises sustainable materials and hands-on methods.

Recent projects include a winter light installation for Webbs Garden Centre, an exhibit of flying storks for Knepp’s rewilding project, and a collection of puppets for Gifford Circus. She lectures at the Royal Central School of Speech and Drama and runs workshops from her studio.

Niyaz Saghari  | www.niyazsaghari.com

Niyaz Saghari is a Bristol based Iranian freelance filmmaker, editor and animator working as a self-shooting director and editor for short and feature documentaries. She studied Film Directing in Tehran Art University, Cinema-Theatre Department, and followed this by joining the MA animation course in Newport in the UK. She has been directing independent documentary and experimental films since. Her work is focused on the urban life in her home town of Tehran, and Bristol where she is based.

Varulven Kommer Puppetry  | linktr.ee/kateoffthewall

Varulven Kommer Puppetry is run by Kate Van Doren, an emerging puppeteer/puppet maker from the West Midlands. 

Kate is primarily self-taught but has also trained with Liz Walker (Invisible Thread) in Bunraku puppetry and object manipulation as well as working backstage in theatre as a puppet handler. 

Kate’s work is inspired by The Dark Crystal, Jan Svankmajer & Toby Olié. She also has a huge love of the “ugly and unusual” which has led to making and puppeteering a large puppet for an upcoming fantasy film currently in production. 

Kate’s future plans are to continue making weird puppets, and to one day work on large scale productions such as War Horse & Life Of Pi. 

Bambi (Morbid Merriments) | instagram.com/morbid.merriments/

Coming from a background in physical theatre and storytelling, Bambi (she/her) is a performance artist, clown, poet, fabricator & puppeteer based in the South West. You will often find her and her Morbid Merriments circuiting the streets, cabarets and various festivals across the UK. 

With a deep penchant for all things strange and surreal, she specialises in making otherworldly curious creatures and uncanny creations often from an array of ethically sourced, sustainable, found and forgotten materials. 

“I aim to make work that is equal parts familiar yet unfamiliar, natural yet unnatural, strangely sweet yet somewhat unsettling”. 

Tea Poldervaart  | instagram.com/teapoldervaart/

Tea (he/him) trained at East 15 on the BA Acting course and since graduating has enjoyed working in a devised and collaborative way with various companies. 

Credits include: War Horse (UK & Eire Tour 24-25), Dinosaur World Live (UK Tour), The Lips – Puppets with Guts (UK Tour) Gnomus (Site specific) Rudolf (Birmingham Mac), Blood and Bone (Vault Festival), Alice’s Adventures Underground (R&D for Chinese Transfer), The Looker (R&D Sabotage theatre), Owlers (UK Tour).

TV: Knuckles (Paramount), Tiny the elephant (Channel 4).

Now based in Bristol, he can be found floating around the British canals on his boat, making friends with the animals that swim by his window.

Samuel Wilde | www.samuelwilde.com

Samuel is a theatre and puppetry designer based in Bristol. He is also the founder of the wonderful cardboardadventures.co.uk. In 2016/17 he was the Laboratory Set and Costume Designer at Nuffield Theatres and trained in Theatre Design at Bristol Old Vic Theatre School graduating with an MA in 2015. Prior to this he studied at University of Winchester and Derby University.

Selected design credits include: The Hat Trilogy (Little Angel Theatre), Lifespan Of A Fact(Singapore Rep Theatre), Polly: A Heartbreak Opera (Bristol Old Vic), Hamlet (The Egg, Bath), Influence (Royal and Derngate), Humbug (Nuffield City), The Edit (Salisbury Playhouse), A Thing Mislaid (Maison Foo), Electra (Bunker theatre).

Emma Williams | www.emmawilliamsdirector.com

Emma is a Director, facilitator, dramaturge and writer with over twenty-five years’ experience creating international puppetry productions. She has directed shows for: Opposable Thumb – Big Boys Don’t Cry; Pickled Image – Wolf Tales & Shop of Little Horrors, Green Ginger – Intronauts, and Wardrobe Theatre – MDH Puppets Do A Movie. She has directed in house productions for The Tobacco Factory Theatres, Bath Theatre Royal, and The Bristol Old Vic. She has developed outdoor performances for Activate, Strike A Light, Cheltenham Literary Festival, Dorset Wildlife Trust and National Theatre of Wales. She has taught at Bath Spa, Royal Welsh College of Music and Drama, UWE, and has run a range of puppetry workshops and master classes for Puppet Place.

Edie Edmundson | edieedmundson.co.uk

Edie Edmundson (she/her) is a puppeteer, performer and theatre maker from South Devon, who trained at Curious School of Puppetry in 2016. Since then she has been lucky enough to work as puppeteer and puppetry director for companies/artists including Wise Children, Theatre Rites, Bristol Old Vic, RSC, and Toby Olie. 

Edie’s own work blends puppetry, storytelling/spoken-word, cabaret and clowning. Her stuff is often silly, sometimes surprising and hopefully thought-provoking. Edie loves to find magic in the mundane and the epic in the ordinary. She likes making things which are beautiful, meaningful and sometimes a bit dangerous. Her solo show ‘The Pony Club at the End of the World’ has been performed at Beverley Puppet Festival, Shambala, and community events around the country. Her cabaret act, ‘Flamingo’ has also visited Shambala, as well as the Royal Vauxhall Tavern and the Rosemary Branch Theatre. 

Edie recently wrote and directed ‘The Whale’s Tale’, a show for family audiences about ocean conservation, at the National Marine Aquarium in Plymouth. She hopes to tour this in 2025! 

Photo by Mark Morreau – ‘The Pony Club at the End of the World’ at the Kneehigh Barns

Emily LeQuesne | emilylequesnedramaturgy.wordpress.com

Emily (she/her) is a theatre maker, dramaturg, author & facilitator. With a PhD in script writing for puppetry, her specialism is dramaturgy for puppet theatre. As co-founder & artistic director of Croon Productions Puppet Theatre Company she writes, performs and dramaturgs.

For over 20 years Emily has written, directed and dramaturged multiple projects in mainstream theatre, puppetry, and applied theatre and her work has been seen on tour across the UK, Berlin, Prague and Minneapolis.

She has taught at University of Derby, Royal Welsh College of Music & Drama and Bath Spa University. She also facilitates puppetry and devising masterclasses.

She currently teaches her dramaturgy system and her book: 1000 Ways to Ask Why: Introduction to Dramaturgical Thinking is available here

Adam Boyle | @acting.adventure.Adam  

Adam is a performer and puppet builder based in Bristol. After falling into puppetry through an acting job in 2014, Adam has been fully addicted to its form since. As a performer he has worked with puppets in theatre both nationally and internationally with critical acclaim.

Adam’s puppet building practice is very focussed on sustainability, and where he can he relies on using reclaimed, recycled and sustainable materials, and can often be found jumping in skips and rummaging through recycling bins looking for puppet gold.

Hannah Hewer | hannah.hewer

Hannah is a writer and dramaturg from Caerphilly, South Wales and a member of new puppetry duo ‘Double Dungarees’. Having recently completed her MA in drama writing at BOVTS, she is practised in a variety of media including songs, stage, screen, and radio. Her particular interests lie in creating work for animation; from short films, to music videos. A lover of magical realism, she believes that puppetry is a wonderful way to bridge the gap between fantasy and reality. 

Hannah’s entry to the 2023 Bristol 48h Puppet Film Challenge via ‘Double Dungarees’ was awarded first place.

Lee Thompson | leethompsonpuppeteer.com

Lee is an award winning Puppeteer who is based in the U.K. working in TV style puppetry. Lee has worked with clients in India, Iran, Canada, New Zealand, Thailand and right across the US. 

Lee’s puppet characters are very popular on the online personalised message sites, offering birthday greetings or corporate endorsements. Lee also regularly takes part in Puppet Slams around the world, has performed puppetry on Prime Time TV and is on the Council of the British Puppet Guild.

The Original Spinners | theoriginalspinners.com

The Original Spinners is an inclusive community dance company. They bring people across all ages and communities together to give them opportunities to participate in dance and play. Through the shared experience of movement and expression to music they help create moments of magic that transcend our differences.

They create performance and workshops for festivals, community events, celebrations and other gatherings.

Emma Byron | www.otherstory.org

Emma (she/they) is an artist and theatre maker working in puppetry and parade art: from large scale spectacle to smaller scale visual storytelling. She is an experienced leader of community projects and workshops. She has worked and trained with companies including Welfare State International, In the Heart of the Beast (Minneapolis), Bread and Puppet (Vermont); and trained at Curious School of Puppetry in 2016.

She is a founding member of Otherstory. They conceive, produce and perform puppet theatre – often with a focus on radical histories – and run participatory workshops and projects. They have designed and made puppets and installations for theatre companies, campaigns, festivals and others. They are a not-for-profit collective of independent artists based atMivart Studios in Bristol.

Josh Elwell | joshelwell.co.uk

Josh is a Bristol based Puppeteer and maker who works extensively in theatre, TV and film. He has worked for companies including, The National Theatre of Scotland, The Tricycle Theatre, Norwich Puppet Theatre and in The West End. As a Puppeteer his work can be seen on CBBC, Netflix and Disney in productions like; ‘Dark Crystal’, ‘Strange Hill High’, and ‘Dr Who’. He was one of the 2 lead puppeteers on the cult C4 BAFTA winning show – ‘Don’t Hug Me I’m Scared’.

Emma Powell | www.emmapowell.com

Emma is an artist and director from Bristol, UK, who creates exciting, inspiring and accessible work in theatre, film and events.

Much of Emma’s work involves puppet design and fabrication and she has produced puppets for stage and screen and her work has toured internationally, from Holland to Hong Kong. Recent projects include Yana and the Yeti (Pickled Image), Outpost (Green Ginger) and Much Ado About Puffin (Open Attic).

Emma’s practice also extends into robotics, animatronics and science communication. This year, Emma has produced work for exhibition at the Imperial War Museum, animatronics for a dinosaur at Bristol City Museum and a science communication project with Einstein’s Garden and the University of Bristol.

Duncan Taylor | linktr.ee/duncantaylor

Duncan has a huge amount of experience puppeteering the very large.  Puppetry credits include: The Hatchling (Trigger, Mervyn Millar), Gnomus (Puppets with Guts, Rob Tygner), Commonwealth Games Opening Ceremony (Iqbal Khan, puppets by Carros de Foq), Creature Encounters. Theatre puppetry credits include Mr G Breadman in “The Gingerbread Man” (Stuff and Nonsense, Niki McCretton), Kipper in “Kipper’s Snowy Day” (Slot Machine Theatre).

Duncan has also built puppets for two short films, and produced films including “DiscoverEye” which won the 2022 Bristol 48hr Puppet film Challenge.

Araceli Cabrera | araceliarts.com

Araceli Cabrera is a Chilean performer, dancer, puppeteer and fabricator based in Bristol. She has previously worked as Artistic Director for Distillers Dreams Shadow Theatre in Spain and Producer and Director for Art Post Dance Theatre in Chile. She has several years experience of leading performing arts workshops in educational settings. She is an art facilitator with Invisible Circus in their social circus project Invisible Youth.

Trevor Houghton | www.otherstory.org/

Trevor is a puppeteer and puppet maker.  He trained at the Curious School of Puppetry (2016) He has experience of creating and performing in various puppetry media including live animation, shadow puppetry, paper theatre and large street puppetry.  In recent times he has focussed on making puppetry based films.   

He is a founder member of Otherstory. This not-for-profit collective of independent artists and musicians runs projects involving community and campaign groups, radical and local history groups, youth organisations and schools as well as the general public. They are a based in the Mivart Studios in Easton.

Sylvia Hunt Presents | instagram.com/sylviahuntpresents

Cabaret artisté, producer, clown, puppeteer. Sylvia Hunt is a fabulously fun and unique theatre, cabaret and street theatre producer and performer.

She is a solo comic performer and uses puppetry as part of her shows.  She has produced and performed full length solo theatre shows, as well as outdoor and site specific walkabout pieces for family audiences, and more recently cabaret and burlesque for adults.

Sylvia also create larger than life clown characters normally with an animal companion, with her shows she aims to excite, and amuse with an additional after thought, and generally her animal companions are charming and very naughty!

Amy Rose | www.amyroseprojects.com

Amy is an interdisciplinary artist and performance director. She draws from a toolkit of popular theatre and art forms (clown, improvisation, puppetry, street theatre, storytelling, folk crafts, community celebration) alongside research, collaboration and facilitation skills.  Her work is often concerned with activating everyday creativity and civic participation, often merging the two in the public realm. She is the co-founder Playing Out, an award-winning, national support organisation and grass-roots movement to restore playable streets and friendly communities. 

Shoray Madan | shoraymadan18.wixsite.com/stopmotion

Shoray Madan is a puppet set maker specialising in stop motion films. With a passion for creative exploration, he crafts captivating characters, environments, and sets by leveraging his expertise in puppet making and set design. Throughout his career, he has had the privilege of collaborating with renowned studios and professionals in the industry, resulting in award-winning projects and widespread recognition for his work. Each project is an opportunity for Shoray to experiment with diverse materials, infusing his creations with personality through meticulous sculpting and texturing. With hands-on experience as a stop motion filmmaker, he pushes the boundaries of animation techniques to deliver visually stunning creations. Committed to continual learning and exploration, he strives to expand his skills and create compelling storytelling experiences that resonate with audiences.

Gabe Cowan | www.gabriel-cowan.com

Gabe is a filmmaker and photographer with a background in visual anthropology. His documentaries primarily focus on how people’s relationships with plants and animals are changing due to the impending climate crisis. He is currently working on his first scripted film which will incorporate puppets. The film is a Welsh folktale that will include a mandrake puppet among other strange and magical creatures. Gabe has always had a knack for creativity whether that be in the digital realm or at the workbench. 

The British Puppet Guild | britishpuppetguild.com

The British Puppet Guild welcomes anyone interested in Puppetry and Model Theatre. We host regular in-person and online events, which is a great way of meeting, connecting and networking with others who have a passion for Puppetry. One of the benefits of being a member is becoming a part of that community. You’ll experience opportunities to find training, develop as a performer, talk with and meet like-minded people who are passionate about these fabulous art forms.

Members receive a bi-monthly newsletter detailing forthcoming events and offering opportunities to share news of your work and learn about what others are doing. Annually, we produce The Puppet Master magazine, which showcases interesting events from the past year and allows our members to learn more about what is current in the world of Puppetry. Check out our website to see how you can become a member here: British Puppet Guild

Atarah Ash | www.atarahzash.co.uk

Atarah (she/her) is a Bristol based puppet and model maker, artist and set builder. She has a background in the fashion and textiles industry which often cross into her model making and puppets. She has also been a teacher of art and design for over 6 years and is keen to use her experience and skills to excite people and tell stories. 

Atarah is a multi disciplined artist who often combines media to create exciting characters and sets. She has worked predominantly on stop motion animation projects, most recently getting an honourable mention for the film ‘Muffle’ in the Bristol 48 hour puppet film challenge.

Jack Buist | jackbuistart.wixsite.com/portfolio

Jack is a freelance artist and performer from the Highlands of Scotland. After graduating, from UWE with a BA in Animation, Jack has remained in Bristol where he continues to pursue various creative projects from digital illustration, to fabrication, to musical theatre.

In his childhood Jack attended an annual, week-long, puppetry and performance workshop ran by the Inverness based charity ‘Out of the Box’ and was introduced to animation through a school project to make a stop-motion film about local wildlife. 

These foundational experiences gave Jack a deep love of puppets and film making, an interest most recently on display with ‘Lunch Break’ (2024) a short film created for Puppet Place’s 48 hour Puppet Film Challenge along with frequent collaborator Felix Surplus.  

Jack has turned his hand to many disciplines and mediums, and, while this means he is yet to settle into any one particular niche, if you will pardon the pun; Jack is a real ‘jack of all trades’, whilst a ‘master of none’, he finds that nonetheless is, ‘oftentimes better than a master of one!’

Felix Surplus | felixsurplus.myportfolio.com

Hailing from the North East coast of Ireland, Felix Surplus is a filmmaker and model-maker who primarily works within the mediums of Stop-Motion Animation and 16mm film. He specialises in miniature prop design and set dressing, but enjoys the entire creative process, especially directing.

Felix has now directed several projects including his award winning stop motion grad film, “Flotsam & Jetsam” (2022), and “Lunch break” (2024) which he co-created with his friend Jack Buist, for Puppet Place’s 48 hour Puppet Film Challenge.

Felix sometimes creates work under the moniker of HarbourRat, (a reference to a nickname given to people from his hometown), and is also the creative director of the Olderfleet International Film Festival, a charity festival held on the Antrim Coast.

Kazbah Theatre | kazbahtheatre.co.uk

Kazbah Theatre has been created by playwright and theatre maker, Andy Evans. After thirty years as a teacher, Andy decided to take on a new challenge. He left teaching and returned to university to take an MA in Theatre at the University of Lincoln, graduating with a Distinction in 2020. He has since gone on to develop his research and is currently undertaking a PhD in Drama at the University.

As a playwright, Andy has worked professionally with numerous companies including Hull Truck Theatre Company, Dirty Protest, Slung Low, Middle Child and National Theatre Wales. His first published play was entitled “Rodge!” and he went on to greater success when in 2000, he became the first British writer published by Playscripts Incorporated in the USA with his play “Moonlight Marionettes”. This play has gone on to have almost 30 different productions internationally. He is currently working on  a new production set at a circus involving some amazing puppets that is hoped to premiere in Cleethorpes in early 2024.

Kazbah Theatre won the The Puppetry Award for their entry in to the 2023 Bristol 48h Puppet Film Challenge.